Open Book Publishers

Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity
by Emily Wilbourne and Suzanne G. Cusick (eds)

Annunciations: Sacred Music for the Twenty-First Century 
by George Corbett (ed.)  

Classical Music: Contemporary Perspectives and Challenges 
by Michael Beckerman and Paul Boghossian (eds)

Cultural Heritage Ethics: Between Theory and Practice
by Constantine Sandis (ed.)                

Essays on Paula Rego: Smile When You Think about Hell
by Maria Manuel Lisboa          

From Darkness to Light: Writers in Museums 1798-1898 
by Rosella Mamoli Zorzi and Katherine Manthorne (eds)

Gallucci’s Commentary on Dürer’s ‘Four Books on Human Proportion’: Renaissance Proportion Theory 
by James Hutson 

Modernism and the Spiritual in Russian Art: New Perspectives
by Louise Hardiman and Nicola Kozicharow (eds)

A Musicology of Performance: Theory and Method Based on Bach’s Solos for Violin 
by Dorottya Fabian           

Rethinking Social Action through Music: The Search for Coexistence and Citizenship in Medellín’s Music Schools
by Geoffrey Baker

Tellings and Texts: Music, Literature and Performance in North India 
by Francesca Orsini and  Katherine Butler Schofield (eds)

Verdi in Victorian London 
by Massimo Zicari  

Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century 
by Egil Bakka, Theresa Jill Buckland, Helena Saarikoski and Anne von Bibra Wharton (eds)

Woodstock Scholarship: An Interdisciplinary Annotated Bibliography 
by Jeffrey N. Gatten